As I mentioned a few posts ago, I am at the point in my project where I am having to consider how to bring my visual research and development to some point of culmination. I have been looking through all of my samples to see what jumps out for more in-depth exploration and potential for some kind of eventual conclusion.
I have also been thinking about concept and how my visual work could suggest ideas, as these I have found are always interwoven with my visual sources of inspiration and chosen route of investigation. I don’t want to be too definite in describing the ideas I have, as I know how these grow and change, but I would say that I am interested in analysing the relationship we can cultivate with nature through acknowledgment of it’s cycles.
In addition I am also interested in the meaning of beauty and what happens to many of our ideas of what constitutes beauty as we get older.
I began this project with the idea of a secret garden where unexpected treasures can be found and would now extend that to include inner secrets and mysteries particularly as relates to femininity and how they can be revealed. So, in summary I am curious about nature, cycles, beauty and feminine mysteries and possibly how our awareness of these things could be improved.
Healing is always of fascination to me and I am also curious about how healing can take place. The challenge is how to incorporate these ideas and questions into the physical act of constructing textiles and clothing.
In terms of textile work I have decided to focus on freeform crochet which is very effective at describing an organic, but also pretty quality.
When a really large crochet hook is used with a fine thread, a very loose and ‘irregular’ fabric is formed, which is great for distorting as well as creating a very open work material like a net. It is even reminiscent of the veining on the wing of an insect.
I love using tiny hand stitching and when combined with fabric scraps and patchwork suggest repair, patience and healing as well as also having an organic feel. I will also continue to explore ways to create form and texture with bias-stitched tucks which are perfect for creating again very pretty flounces, ripples and ruffles.
After looking through all my samples so far I have decided to look again at this idea of combining crochet with fabrics and stitching the crochet in places to create a corded lace effect.
At this stage I am thinking that this could work well as a detail on a corset or bra top. I have begun by looking at different threads and yarn and how they look when covered with machine zigzag stitch, I need to research ready-made cords too.
Here, torn satin strips have been handspun and then covered in zigzag stitch and crocheted. Although an ‘open’ material has been formed, it is rather bulky and stiff.